colour to sound converter







Reviewing the transformation of sound to image in new computer music software
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Colour From image to sound From colour to sound. IFS music is a program that maps from colour to sound by introducing a vector space homomorphism between visual space (in RGB palette) and sound space.

Multimodal tools and interfaces for the intercommunication between visually impaired and deaf-and-mute people
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we made to simplify and adapt it to the game. A. SeeColOr system Unlike other systems, SeeColOr's colour to sound mapping includes musical instruments. In fact, most of actualonification systems use either artificial sounds

MusiCam: an instrument to demonstrate chromaphonic synesthesia
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Abstract. Inspired by a type of synesthesia where colour typically induces musical notes the MusiCam project investigates this unusual condition, particularly the transition from colour to sound.investigates this unusual condition, particularly the transition from colour to sound.

Olfactory Translations and Interpretations
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Page 3. orchestra) where I layered light over sound in improvised interpretations of sound and movement phrases, I was not aware that my colour-to-sound compulsion had a long history of experimentation by other artists. The

Synaesthesia and 'Die gliickliche Hand'
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From the few examples cited so far, it is evident that, by adding the dimension of colour to sound and characterization, Schonberg extended such ideas as the "idee fixe" or the "leitmotiv" that characterized the music of those 19th-century "colourists", Berlioz and Wagner.

Start making sense: Live audio-visual media performance
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In contrast to the total sensorial field created by projects interested in immersion, the visual music tradition manifests two more specific interests: first, in the relation of colour to sound or music, and second, in the poten- tial such a relation holds for equally stimulating the audio

Representing colour through hearing and touch in sensory substitution devices
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msr Review Representing Colour Through Hearing and Touch in Sensory Substitution Devices Giles Hamilton-Fletcher * and Jamie Ward School of Psychology and

Project Scriabin v. 3
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sound). Main colour to sound coding was implemented by Scriabin's colour scale. Keywords Synaesthesia, Sonification, Touch Screen. 1sound). Main colour to sound coding was implemented by Scriabin's colour scale. Scriabin's

The Limitations of Representing Sound and Notation on Screen
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semantically sound notation. Research at the Visual Perception and Aesthetics Lab at the University of California-Berkeley suggests that there is also a high degree of correlation between mappings of colour-to-sound. Griscom and

Coloresia: An Interactive Colour Perception Device for the Visually Impaired
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42]. Accordingly, sound-colour cross-modal perception by synaesthetes is of interest for defining a colour-to-sound correspondence because it seems not to recruit privileged pathways between auditory and visual modalities.

Towards 'a beautiful land': Compositional strategies and influences in Five Panels (no. 5)
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This theory is further supported by Timothy Hubbard's article 'Synesthesia-like mappings of lightness, pitch and melodic interval.'[14] As well as a synesthesic mapping of colour to sound, Five Panels (no.5) also employs a similar structure to Rothko's classic paintings.

Five Panels
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This theory is further supported by Timothy Hubbard's article Synesthesia-like mappings of lightness, pitch and melodic interval.14 As well as a synesthesic mapping of colour to sound, Five Panels (no.5) also employs a similar structure to Rothko's classic paintings.

Colour Soundings: After the Tone of Francis Bacon
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In these portraits the voiding of self is explicitly linked to acoustics, to vocalizations. These are carefully coloured images centring on the mouth as the source of sound. There is a long tradition of relating colour to sound. This occurs most obviously in synaesthesia.

Reciprocal Transformations Between Music and Architecture As a Real-Time Supporting Mechanism in Urban Design
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is mapped to volume. (Figure 1). Dif- ferent elements correspond to different timbre and voids to pauses (silence). Another mapping on which we are currently working on is the correlation of colour to sound. Any given path of

Multimodal tools and interfaces for the intercommunication between visually impaired and deaf and mute people
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we made to simplify and adapt it to the game. A. SeeColOr system Unlike other systems, SeeColOr's colourtosound mapping includes musical instruments. In fact, most of actualonification systems use either artificial sounds

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